Bhaskar Chitrakar

Born in 1978, 39 year old Bhaskar Chitrakar is the only active descendant today of the famed class of Kalighat patachitra painters, who lived and worked in the Kalighat temple area of Calcutta in the 19th century. Though Kalighat painting had become extinct by the 3rd decade or so of the
20th century, there were just a handful of painters who carried on with their tradition, on a small scale. They included Bhaskar`s forefathers and those of National Award winner Sirish Chandra Chitrakar, who was recognised as one of the last stalwarts who remembered the tradition, until
his death in 1994.
Bhaskar began his tutelage under his late father, Dulal Chitrakar from when he was six or seven.
He was all of 13 when he completed his training and was able to handle an entire painting on his own, with some degree of dexterity, but he had also dropped out of school by then. Bhaskar was later also in|uenced by Sirish Chitrakar, whom he would observe at work.
Other than painting patachitras, the Chitrakar community in Kalighat also made clay idols and Bhaskar continues to do so till this day – images
of Durga and Kali mainly. He is also a self taught sculptor in {bre glass, having picked it up from regular visits to the Government College of Art
and Craft, when he was eighteen or so. Even though he himself was not a student there, he was recognised as a fellow artist and allowed to
observe. Most of the {breglass sculptures made by him and his father before him, were bought by the Swaminarayan Akshardham Mandir in
Gujarat.
Bhaskar would earlier depend on both clay sculpting and Kalighat painting for his livelihood.
But thanks to the renown he has garnered for his art in recent years, he is able to depend more
on his paintings for his living. Fortunately for him, the burden of bearing the family`s expenses
is shared between his brothers and himself – giving the talented Bhaskar ample scope to focus on his remarkable art.

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